Gainsborough Old Hall An independent reference for the fifteenth-century manor and English painting

Built circa 1460–1480
Gainsborough, Lincolnshire
Manor, paintings and papers

Gainsborough Old Hall, the Medieval Manor House of Lincolnshire

Gainsborough Old Hall is one of the most complete late-medieval manor houses left in England. It was raised for Sir Thomas Burgh between about 1460 and 1480, on the east bank of the Trent, and it has never been pulled down, gutted or rebuilt into something else. The great hall, the kitchen and the polygonal bay all survive from the first building campaign.

This site is an independent record of the building and of the English painting it has been used to illustrate. It sets out what the fabric shows, who lived in it, and what the surviving papers of the hall's supporters contain.

A pen and ink drawing of the timber-framed range and brick tower of Gainsborough Old Hall, seen from the street with a lamp post in the foreground.
The hall from the south-west Pen and ink drawing From the papers of the Friends of the Old Hall. Undated.
The buttery of the old hall, hams and onions hanging from the beams beside a black range and baskets of bread.
The buttery Photograph From the papers of the Friends of the Old Hall. Undated.

Domestic offices of this scale are rare survivals; most were the first part of a manor to be rebuilt.

The kitchen of the old hall with its wide fireplace and timber roof.
The medieval kitchen Photograph From the papers of the Friends of the Old Hall. Undated.

Two roasting hearths served a household that could number well over a hundred at a great feast.

Gainsborough Old Hall as a medieval manor house of brick and timber

The plan is the standard one for a household of the period, and it is legible from the street. A great hall sits at the centre. At its lower end are the service rooms (pantry, buttery and a detached-feeling kitchen) and at its upper end the private chambers of the family, stacked in a brick tower. What makes this particular medieval manor house unusual is not the plan but the survival: the ranges that were normally swept away in the seventeenth and eighteenth centuries are still here. Gainsborough Old Hall keeps its service end, and very few of its contemporaries do.

The east range is timber-framed above a low base, close-studded and jettied, and the west range carries the brick tower. Brick was still an expensive statement material in Lincolnshire when Burgh built with it, and its use here is a claim about the family's standing, not a practical choice. The roof of the hall is the single most impressive thing in the building: a great arch-braced structure spanning the full width without an intermediate support.

The Burgh family and Tudor Gainsborough

Sir Thomas Burgh was a Yorkist, Master of the Horse to Edward IV, and his house was built during the Wars of the Roses by a man who expected to be visited by people who mattered. Richard III is recorded at the hall, and in 1541 Henry VIII came with Catherine Howard on the progress north. The Tudor century left its mark in the fittings and the chimneys, and hardly at all in the walls.

In 1596 the manor passed to the Hickman family, merchants rather than soldiers, and the Tudor household gave way to a different kind of establishment. In the early seventeenth century the hall was used for meetings by the separatist congregations of north Nottinghamshire and Lincolnshire, the groups from which the Pilgrim Fathers came. That connection is why so much of the surviving documentary material about the building is American in origin.

Where the hall stands in Lincolnshire

Gainsborough sits in the north-west corner of Lincolnshire, on the tidal Trent, and the hall is in the middle of the town, with no park around it. That is worth saying plainly, because it surprises visitors who expect a country house: the building is hemmed in by later streets, and its scale only becomes obvious from the churchyard side. The town's position on a navigable river is the reason a household of this size was here at all.

The building is listed at Grade I and is in the care of English Heritage. Elsewhere in Lincolnshire the comparable survivals are mostly ecclesiastical; there is no other secular building of this date and completeness in the county.

Visiting: opening times and access

The hall is open to the public. Opening times are set by English Heritage and are seasonal, so they are not reproduced here. A static page that quotes hours is wrong within a year, and the managing body publishes the current pattern along with admission prices and any closures for private events. Check the opening times there before travelling, particularly out of season and on weekdays.

The ground floor, including the great hall and the kitchen, is broadly accessible; the tower and the upper chambers are reached by original stairs. Parking is in the town, not on site.

Paintings in an English house

A house of this date is also a way into English painting, and two parts of this site take that up: the Georgian portrait and conversation pieces that furnished houses like this one, and the Pre-Raphaelite reaction that looked back past them to the medieval world the hall belongs to.

A landowner with his gun and his seated wife beneath an oak, their Suffolk cornfields and grazing land filling the right half of the canvas.
Mr and Mrs Andrews Thomas Gainsborough (1727–1788) Oil on canvas, National Gallery, London. c. 1750.
Ophelia floating in a stream among reeds and flowering banks, her dress spread on the water, every leaf painted in sharp detail.
Ophelia John Everett Millais (1829–1896) Oil on canvas, Tate. 1851–1852.

Questions about the hall

How old is Gainsborough Old Hall?

The main building campaign runs from about 1460 to 1480. Dendrochronology and the documentary record agree on that range, and there is no substantial earlier fabric standing. Later alterations are mostly internal.

Is the great hall roof original?

Yes. The arch-braced roof over the great hall is part of the first campaign and spans the full width of the room, each truss cut from a naturally curved oak limb and carrying no tie beam.

Did Richard III and Henry VIII really stay here?

Henry VIII came in 1541 with Catherine Howard during the royal progress to the north, and that visit is well documented. Richard III was at the hall as the guest of Sir Thomas Burgh, though the sources differ on the year: October 1483 by the account in the archive, 1484 by English Heritage's. Neither visit left physical evidence in the building.

What is the connection to the Pilgrim Fathers?

Separatist congregations from this part of Lincolnshire and north Nottinghamshire met at the hall in the first years of the seventeenth century, under the Hickmans. Members of those congregations later sailed for the Netherlands and then for New England.

Where can the hall's own papers be read?

A set of lecture papers, newsletters and reports produced by the hall's supporters is indexed in the archive section, together with the surviving room-by-room photographs.